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Olympia was made by the French impressionistpainter Edouard Manet. In this painting, the painter used an angle which couldbe applied to show the whole body to perform the naked body. He neither fullyperformed the stereo feeling, nor asked for half-stereo feeling, but took aunique compression stereo feeling. Then the body was with more volume at firstglance. Such idea was consistent with other bright parts in this painting—thepillow, bed sheet, colorful scarf and structure of black female slaves. Theseperformances showed an alternating light and darkness or jumping missing in thenude images, which made the whole with a special lightness and brilliance. Buttheir form was still like the bright relief set off in the dark background.Here, the blue lines were highlighted in white to distinguish the yellow, greenand rose in the dark background. Because of no intermediate tone from thebright to the dark, so we may consider this compression relief as a colormosaic whose black and white contrast as the image itself strongly affected onthe viewer's imagination. In short, we sawthe unity of the style in this painting and all the depicted object was subjectto the uniform color effect. Nude was attributed to the deep colorstructure—although it appeared in the form of compression relief, it had beentransformed into a stereo. This led to a poetic feeling which could bedescribed by words, because this poetry was coming from the integrity,infection and vitality of the art image itself appearing in front of theviewers. This was Manet who tried to achieve the unity of shape and color heimaged instead of beauty or truth in describing the things what he saw. Toachieve this goal, he determinedly abandoned the description methods favored inthe upper class. Then he drew Victor Lena (the naked woman in Olympia)into a mixture of pet and doll. Beauty, truth, life—all had been swallowed byart. He showed his freedom of observation methods in Olympia.In this way, he almost imperceptibly turned his techniques into the ideal andcreated a road for his own imagination. In this painting, Monet put forward theprinciples of free observation which was later accepted and regarded as thebanner by the whole contemporary art.  Olympiawas about completed in 1863 and displayedin Salon (the official exhibition) in May 1865 for the first time. But it wasimmediately criticized by the media and even blocked. And Manet was also forcedto flee Spain,though a lot of people had painted nude before. Edouard Manet died on April 30,1883. A large number of people attended his funeral. Edouard Degas said, “Manetis much greater than we imagine.” In 1890, Olympiawas purchased by donation and donated to the state. And this masterpiece wasdisplayed at the Le Louvre museum.  Manet firstlystudied from academism painter Couture and then imitated and researched Titian,Velasquez, Goya, Hals’s works. Influenced by Japanese paintings, he onceparticipated in Paris Commune Revolution and created Barricade and other stone engravings. He innovated painting skillsbased on traditional European paintings and excelled at using the loud andclear colors, concise and accurate strokes, reducing intermediate tones, andstrengthening the contrast of light and shade, which caused the discriminationof academism. Manet's achievements were mainly in the external light andportraits. After 1863, he got closer to impressionist painters like Monet andhad somewhat changed his painting style. But he still drew in his own way.  In 1862, a greatevent occurred in Paris, France: when academism held thesalon exhibition, they excluded nearly 4000 works from more than 300 painters,which had caused widespread discontent and condemned among people. Napoleon IIIdecided to hold another exhibition called “Salon des Refuses” for thesepaintings being failed for election in order to quell the uproar. On May 15thof this year, “Salon des Refuses” opened. The visitors were much more thanthose coming for the official exhibition. The most attractive was the youngpainter Manet’s The Luncheon on theGrass. In front of this painting, there were a great many audiences.  Soon, Manet's anotherpair of work Olympia caused the turmoil in the artworld. The academism rebuked his paintings vulgar, and even the French progresspainter leader Courbet at that time also thought his painting lackedauthenticity. But his paintings had been warmly embraced by new characters,because his paintings were against school rules, and also out of the realismprinciples. His painting was not to achieve beauty and truth, but achieve unityin the shape and color, which was regarded by the western modern art as a freeobservation method and the banner of the principles. Although Manet neverwillingly admitted that he was the Impressionist and had never attended theImpressionist exhibition, he invisibly became the founder and leader of theimpressionists. He had devoted his life to the painting techniques and reformand the impact of classical idealism and school and opened a prelude to thehistory of painting color revolution.