Luncheon,the,Studio,Luncheon,t entertainment Luncheon in the Studio
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Luncheon in the Studio was a realisticmasterpiece which Manet was devoted to color contrast. For Manet, it was acommon thing that the indoor scenes were using realistic approach forperformance. But the painter divided the studio into right and left parts.Thus, the young maid's clothes formed a contrast with the youths uppers. Thetables color tones were contrasted by the painter image behind the table.Among this, the youth image was the main tone of color contrast, making theboth sides echo with each other. Luncheon in the Studio was a favorite work of Manet. In thispainting, no story, only image. The smoking man sitting on the right and an oldgun on the left were only used to transfer viewers attention attracted by thefore young people and back women. The position and proportion of charactersindicated that they were arranged in two different spatial landscapes whichwere very clear and shared the obvious difference. But they did not imitate thenature. Thats to say, it was virtual. The appearance of these two charactersgave a person a kind of magic and unreal feeling. But from the point of view ofartistic conception, it was credible. The color further strengthened thisimpression: the black on the uniforms shirtthis was the foreground; in afarther place, there were the light gray and yellow in women's clothes; thenwas the white vase. Other colors were quietly foiling the whole painting. Amongall the paintings of Manet, the best was he did not insist on the objectivityand integrity, but to work on his own style only based on his feelings.
Luncheon,the,Studio,Luncheon,t