The,Luncheon,the,Grass,The,Lun entertainment The Luncheon on the Grass
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The Luncheon on the Grass was made on Canvas by the French realist andimpressionist painter Manet between 1862 and 1863. It was originally known asthe Bath (French: Le Bain). The severalcharacters in the painting form a staggered triangular with two men and a nakedwoman's body being intertwined to make the bisexual meanings emerge. Dating back to the origins of modern painting, peopleusually took The Luncheon on the Grass exhibitedin Also-Ran Salon in 1863 by Manet as the start. Napoleon III wanted to startwith a whip of immortality, and the painting world underwent rapid changes.Here, the painter imitated the composition of Giorgios Concerto Campestre (also known as PastoralConcert). But it was not the kind of idyllic paintings in Venice in 16th century. The nakedwoman in this painting was the model Melon appearing in his early painting Victor Lena Melon Wearing Matador Costumes.She was a prostitute that Manet brought from the street and had long been themodel for Manet. The painter asked her to nakedly sit in the forest grass andaccompanied two gentlemen (Ferdinand and Manet's brother Oren. Manet); on theleft, there was a overturned basket with the food rolling out of the basket; inthe background lake pool, a woman only wearing a shirt was added, leaning overto stand in the water. This was a deliberate arrangement of "picnic",which was the bold trial of the painter to seek color contrast. Thiscomposition was annoyed by many protagonists in the painting world. Concerningthis painting, the critics have also been divided into two parts Manet expressedthis meaning so clearly. He made the right hand and left hand of Ferdinand andthe left foot of Victor Lena with the uniform color and same texture as well aspainting the raising hands of Ferdinand in a central position. It was atriangular anatomical apex. Others have pointed out that it is a symbol oftraditional promiscuity of mea and women. The name Manet familiarized by allthe studio people had been put in Parispeople's mouth who were concerned about the painting exhibition. Because of theexhibition in Also-Ran Salon in 1863, this painting caused a rare sensation.The painter directly showed the outside world and put the naked women andgentlemen together. This painting made a bold innovation of the traditionalpaintings and got rid of the fine strokes and a large number of sepia tones byusing bright and flat colors with strong contrast. All of these were unbearablefor the official academism. In terms of composition, this painting put thecharacters in the woody background whose center launched a limited depth. Thatbent woman became the vertex of the classical triangular composition consistingof three figures in the foreground. In technique, the painter furthered hisproposal and made new attempt in the external light and dark background, sothis painting was an innovation both in art and historical significance. Some people think The Luncheon on the Grass is theexpression of human nature and moral confusion. They are ignorant of art. Artcan express any beautiful behaviors or things and look for the beauty in thelife granted by the nature. Art is the embodiment of beauty and is themessenger looking for and pursuing beauty. Also it is beyond worldly fame andmorals, which is a very elegant and pure heart. In his last few years, Manetpainted a lot of charming female portraits in toner. These portraits were notfocused on his style and characteristic performance and also did not show theImpressionism shading effect, but to satisfy the common appreciation feeling.Victor Melon was the model of impressionist painter and other contemporarypainters. She was perhaps the most famous face and body in the 19thcentury. In Manets paintings Olympia, The Luncheon on the Grass, Melon waseither nakedly lying in bed, or sitting between two men, with firm, calm andproud eye looks. She was obviously not seen, but watching the erotic tales in areverse Venus's gesture.
The,Luncheon,the,Grass,The,Lun