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Influenced by hisimpressionist friends, after 1870, Manet gave up the dark color and traditionalthemes and used light color series, and was interested in themes from thecontemporary life. Within these themes, cafe occupied an important position.The whole 19th century was the grand occasion of Paris café. There were various kinds of cafe:hotel, beer store and cafe hall offering dance performance for consumers. Aftera day's work in the studio, the painters would go there to drink wine, smoke apipe, talk about art or listen to pop hits. There they sometimes met somemodels. In fact, the cafe was full of different kinds of people from differentclasses of society. Even though a single woman appeared (the synonym ofprostitute), it was barely acceptable. Like thecontemporaries,Edouard Manet frequently went to the cafes around his district, whetherthey were fine or ordinary. These places gave him the creative inspiration ofsome paintings. He was regular visitor of Hertz Lufen cafe ballroom at the footof Paris Montmartre and made some sketches showing the customers andperformance scene in the cafe. Then, he painted a big painting in the studio.Because he was not satisfied with the painting, so he divided it into twopieces. He made the same theme on another piece of cloth, which was thepainting in Orsay museum. The painting also suffered from the same fate, withthree edges being cut and only the right side being kept in one's integrity. Inorder to show the packed, smoky and noisy cafe, the painter made the charactersin the painting closer to each other. There were mainly five categories: awaitress, a worker dressed in a blue coat, a bourgeois who people only saw histop hat, a woman, and a female singer. Their faces weredeliberately amputated some part, aiming to give people a kind of impressionthat this was a fast lens photographs or natural glimpse of arbitrary truncationspace. There was only a half of the female singer's body. Even for otherimpressionist painters, especially Degas also used this technique, which still madepeople feel weird. In addition to the waitress looking at the audience, otherpeople's eyes turned on the translucent silhouette clearly appearing in thearena. The painter arranged the painting space through the eyes of charactersin order to form an opposite relationship between the foreground and background.The figures in the painting were like to be flattened. But the waitresss face,beer cup, pipe, black hat, and branching chandelier were clearly visiblethroughout a bit hazy composition. In order to activate the atmosphere in the coffeedance hall and the dazzling light, Manet adopted a fast and powerfulimpressionist style with parallel or cross style coloring, which would notleave any outline border. This painting was a specialwitness of Manets paintings performing modern life scenes. Degas and Renoirmainly portrayed such scenes.
The,Waitress,Bocks,Influenced,