Blooms,Canvas,false,Style,Defi entertainment Blooms on Canvas

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0 false 18 pt 18 pt 0 0 false false false /* Style Definitions */table.MsoNormalTable{mso-style-name:"Table Normal";mso-tstyle-rowband-size:0;mso-tstyle-colband-size:0;mso-style-noshow:yes;mso-style-parent:"";mso-padding-alt:0in 5.4pt 0in 5.4pt;mso-para-margin:0in;mso-para-margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Times New Roman";mso-ascii-font-family:Cambria;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:"Times New Roman";mso-fareast-theme-font:minor-fareast;mso-hansi-font-family:Cambria;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}This week I'll be reviewing someof the most famous flowers of the art world and the inspiration behind theirconception or rather, perception, through the eyes of the artist.Perhaps the most famous French artist in matters of natural beauty isClaude Monet (1840-1926), an impressionist painter famous for favouring theplein-air technique of rendering a work outdoors. The term impressionism wascoined from one of his more prodigal works Impression, Sunrise. Aside from his obvious contributions to the philosophies behind the artisticmovement, Monet was also responsible for a myriad of some of the most famousnature based paintings in a series titled simply Water Lilies. Hisrealistic rendering of reflection and shadow concerning both the fluidity of waterand the stasis of the lilies themselves, lent new credibility to the out offashion pastoral themes he was addressing. Painted shortly before his death in 1890, Van Gogh's Sunflowers were to become the alter egoto the artist as a portrait painter. Lauded as his microcosmic edition of lifeand death, the series documents all stages of a sunflower’s life using thesaturation of colour, and its absence, simultaneously to symbolize both thevividity of youth and its stark briefness. Incidentallypart of this series is also one of the most expensive ever sold, fetching$39,000,000 at a London auction in 1987.However this price tag is dwarfed by the next entry on ourlist, also a Van Gogh and previously mentioned, the Irises were dubbedby Van Gogh as “the lightening rod to my illness”. This is widely considered areference to the lack of realism attributed to the paintings use of light andcolour that does not represent the angles it evokes, nor the perspective interms of fore, and background. Dated prior to Van Gogh asylum stays due toanxiety, critics say the painting is absent of any tension and rather it is theunnatural evocation of perspective that strikes the viewer. This Dutchcontribution, after inflation, broke the hundred million mark making it by farthe most lucrative set of petals in history.Next we have a somewhat more contemporary entrant. Georgia O Keeffe wasa twentieth century artist partly known for her floral work, beginning hereducation at the Chicago School of Art in 1905, she did not come to prominenceuntil 1912 following her brief stint as an art teacher in Texas. It is now safeto assume that much of inspiration was drawn from her primary work locations inNew Mexico where she spent a part of every year of her adult life, her movementwas known as imitative realism and she was to become one of the century’s mostfamous American painters. She spoke of why she painted flowers; "Nobodysees a flower - really - it is so small - we haven't time - and to see takestime like to have a friend takes time...So I said to myself - I'll paint what Isee - what the flower is to me, but I'll paint it big and they will besurprised into taking time to look at it - I will make even busy New Yorkerstake time to see what I see of flowers." Hans Memling, by contrast, is a fifteenth century artistwhose importance arises from his predating the renaissance period, before whichthere was heavy focus on religious exaltation within art. Despite therelatively neutral form of the piece dubbed Flowers, critics stillinsist on its highly religious connotations. This could be attributed to thereverse side of the painting that presented a praying man as its subject, but whileno literal connection can be drawn between the two, the themes of the latter,as well as its context, are probably what caused religious underpinning to beapplied to Memling’s seemingly neutral vase of flowers. While not a genre heexplored in great depth, this painting remains one of the most senior examplesof what was then described as hyper real rendering. A particularly applicabletitle post David Hockney, as it was his research that revealed Memling’s use ofan optical projector that threw the image onto his wood canvas allowing him tothen trace over it with oils.We hope that you found our list of flowers in art informativeor at least encouraging, as to the inspirational potential of what areessentially common flowers. And now - to your own canvases that await a gentlehand to render meaning and beauty.