What,the,difference,between,CM entertainment What’s the difference between CMYK and RGB?

Music is a vast sea and there are lots of singers in the world who earn so much fame because of their singing, voice and style and Rob Thomas is one of them. He is one of the best singers whose songs become very popular and he has great fan Know your event objective. If the aim of the event is to educate people then the entertainment is not the key element of the event. You would do better to use some light form of entertainment during the break to help attendees unwind and rel

The RGB colour model is used by monitors, televisions, scanners, anddigital cameras. A monitor uses very small bands of red, green, andblue light to generate colour. RGB is additive because when you add allthree colours together, you get white light; when you turn off allthree lights, you get black. By mixing varying amounts of red, green,and blue light, you can create most other colours. However, the paper used for a magazine, CD booklet,DVD sleeve can’t generate light like a computer monitor. It relies onreflected light, and the subtractive colour model CMYK. When you addcyan, magenta, and yellow together (CMY), you get a colour close toblack, and when you don’t lay down any ink, you get white—that is, thewhite of the paper. A fourth colour, black, is added for economical andpractical reasons, and is referred to by ‘K’ so as not to be confusedwith blue. By mixing varying amounts of cyan, magenta, yellow, andblack inks, you can create most other colours. All commercial,full-colour printing uses CMYK inks.So why is the difference important? Most colours created on the RGBmonitor can be duplicated using CMYK inks, but not all. As your RGBmonitor is generating light, it can create some bright colours thatcan’t be duplicated on any CMYK printing press. Paper can only reflectlight, so if you print the super-bright RGB colours in CMYK, they get alot duller. If you’re designing artwork in an RGB colour space, we’ll have toconvert it to CMYK to print. Depending on your artwork, the coloursmight shift a little or a lot.When sending artwork for printing you ought to provide all yourimages in CMYK. This way, if there are any colour shifts, you’ll beable to see them and take steps to correct the problem. If you supplyRGB images, your prnter you make the CMYK conversion, and hopefullyshow you a proof. If you want to make any changes to your images atthat point, your job may be delayed and incur additional charges. It’smuch better for you to supply CMYK files up front. What’s the difference between process and spot colours?Process colour uses translucent CMYK inks laid on top of one anotherto fool your eye into seeing other colours. A spot colour ink is aspecially-mixed hue that is not made by combining two or more inks, butrather is a single ink of a specific colour. Spot colours can bebrighter or more saturated than process colours, or have specialproperties, such as metallic gold or fluorescent green.Will the printing on my CD / DVD match my booklet or digipak?All packaging is printed in HP Indigo process (CMYK) colour, whilestandard on-disc printing is done with inkjet inks. While the processesare similar, some colours—blue and orange in particular—look verydifferent due to the different inks and different substrates. Ingeneral, the HP Indigo prints are brighter and more saturated thantheir inkjet equivalents.If matching the disc to the rest of the package is important to you,we can provide you with proof copies of all your items, however becauseof the different processes involved we cannot guarantee we will be ableto provide you with an exact match.What are the differences between printing on the disc face andprinting the rest of the packaging that I should keep in mind whendesigning?Discs are printed with a different process than the rest of thepackaging. Booklets, digipaks, and jackets are printed with HP Indigo(CMYK) inks, using a high-quality process liquid electrostaticlithography. Discs are printed either with Inkjet printers or forlarger runs (over 1000) are silkscreened. There are a couple of keydifferences to keep in mind:The tonal range that we can hold while silkscreening thediscs is 15-85%. Tones lighter than 15% may blow out to zero, and thosedarker than 85% may fill in completely. As a result, we do notrecommend using very dark or very light photos on the disc.High-contrast images work best. Subtle changes in tone can be lost in the silkscreening process.Gradientsor blends do not print well, and can look uneven or blotchy. Westrongly recommend avoiding gradients or blends on the disc. Gradientsthat look smooth on CD packagingdon’t translate well to the silkscreen printing process on the disc.Highlights and shadows don’t offer smooth transitions, instead droppingoff dramatically and resulting in an uneven, rough-looking line.Dueto registration issues with silk-screening, we cannot print overlappingscreens such as duotones or spot colour mixes (e.g., 25% PMS 115 and65% PMS 215) on the disc.The line screen on the disc is100 lpi, which produces lower-quality images than the 200 lpi printingfor the offset-printed packaging. Here is a comparison of a photo printing on a booklet and printing on a disc.The image on the disc loses details in the piano player’s coat, and thehighlight on his head. The subtle variations in the background imagesare also lost. Expect to lose detail and overall image quality if youprint an photo on the disc.