Location,Photography,Gear,LOCA education Location Photography Gear
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LOCATIONGEAR: MAX vs MINIMALIvebeen a professional photographer for over 30 years. My first job as apro was with the local newspaper the summer of my Senior year in HighSchool. My job was as a stringer for the paper and I coveredlocal school sports events. Back then my gear bag carried my PentaxK1000, 35mm camera, a telephoto zoom lens, a 50mm lens and a flashunit. Well, I also carried several rolls of film back then as well.The onlytime I used my flash was when I was interviewing an individual in alow light situation, or when I was covering some other kind of eventindoors. Even when I would photograph models for their portfolios itwould be rare that I would pull out the flash. Practically all thetime I would use only ambient light. Flashforward, (yes, pun intended), when I incorporated and went intophotography full time my focus, (heheh ), was on portraiture. Atthat juncture of my career I began using studio strobes, andprimarily I used a four light setup. My lighting scheme consisted ofa Key light, a Fill light, a Hair light, and a Background light. Evenback then I was concerned with economy and portability as my businessrequired that I set up my studio in several different locations, so Ihad to pack it up and move it every week. For those reasons I optedfor moonlights rather than battery pack systems. Ofcourse along with the strobes I had a variety of light modifiers suchas umbrellas, snoots and barndoors, and color filters. I had alsomoved from the 35mm camera to a medium format camera, and along withthat I had a bellows that attached to the front of the lens and actedas a lens hood/shade, and also accommodated various accessories suchas vignettes and soft focus filters.In thosedays I had a few large cases packed with studio gear that I luggedaround from assignment to assignment. And I became nearly obsessedwith adding things to my arsenal. Thenabout 12 years ago I started doing more outdoor location portraitsessions. At first I wanted to bring along my studio strobes andumbrellas and softboxes, but of course with the monolights I neededto be able to plug them in. So I considered investing in batterypacks and strobes, but the problem with that was the weight, and withall that gear the need to always have an assistant. Thealternative was to create a studio-like lighting scheme usinglight-weight, battery powered flash units. And since I had become soused to and comfortable with using all the umbrellas and softboxes, Iwanted to have similar modifiers for my flash units. At thatpoint I was carrying two cameras, (DSLR 35mm Nikons), three zoomlenses, three flash units, small softboxes and batteries for theflashes, radio transceivers, and three lightstands. Everything exceptthe light modifiers and lightstands fit into my location gear bagthat I could fairly easily carry on my shoulder. But I had to carryan additional case for the miniature softboxes and accessories, andof course the lightstands.Therewas an additional problem with the little softboxes. Where I live andwork most the time there is a breeze blowing. With the softboxesattached to the flash units, it was like putting sails on them andthey were constantly wanting to blow over! I can tell you its verydistracting to have to be constantly on guard to catch lightstands asthey get blown around!FinallyI cut the light modifiers from my location gear, and I found that byadjusting the spread of light from the flash units by simplyadjusting the zoom feature, and using just two flash units, oneas a Key and one as a Fill, I am able to create a very naturallooking light on my subjects without the need of additional lightmodifiers! And when I position my subjects so the sun is lightingtheir hair, I have essentially a three light studio setup! So nowwhile I still carry three flash units, one of them is primarily thereas a backup, and I can carry everything I need in one portable gearbag, and just two light-weight lightstands. This makes it much easierto move from one spot to another while at an outdoor location,removes most of the danger of my flash units being blown over, andeliminates the need to have an assistant on every assignment. And Istill get beautiful portrait lighting for my clients!
Location,Photography,Gear,LOCA