Classical,Views,Passion,Racine education Classical Views of Passion in Racines Phedre: Part Two
Some forms of parent involvement with the school such as communications with school, volunteering, attending school events and parent--parent connections appeared to have little effect on student achievement, especially in high school. Helpi Translation jobs are undertaken by professional translators who are well versed with at least two languages.Translation can work at two levels: inter-state or regional language translation and inter-national or foreign language translation.
However, there exist another point of view and according to Barthes, the Racinian Eros is never sublimated; emerging fully armed, entirely finished, from pure vision, it is immobilized in the perpetual fascination of the adverse body, it constantly reproduces the original scene that has formed it ; the recital these heroes make of it to their confidant is obviously not a matter of information but a veritable obsessive protocol (Barthes 12).In Racines version of the play Hippolytus does not feel aversion for women. Moreover, he loves Aricia and his love is mutual as Aricia loves him too. Ismene tells Aricia about Hoppolytus feelings for her:I saw he could not take his eyes off you He tried to, but he could not. Those eyes, madam,Were painful with longing helpless longing .But those eyes told everything. (24)Later he confesses his father that he loves Aricia:I am in love. I worship Aricia.Father, I adore her. My inmost soulBelongs only to Aricia. (60)Thus, Racines Hippolytus is more plausible than in the play of Euripides. Hippolytus love for Aricia makes him more masculine.Phaedre in Racines play is a brave woman who is suffering because of her passion and desire. With time her passion becomes stronger and autonomous and she cannot control it:Where I am? What am I saying?Where did those words come from? My mind is strange.Some god has taken my senses.My face feels to be coming apartWith all the turmoil. (11)Besides, Phaedres love is expressed with the help of visual objects and symbols, like sword, torch, labyrinth, which denote Freudian phallic symbols: In spite of all the labyrinths knots and tangles / You would have slaughtered the Minotaur. (36). After that she continues and asks Hippolytus to kill her, she mentions a sword: Look my heart. Here. / Bury your sword here. (38) Friedrich Nietzsche believes there are two kinds of people: those who are victims and those who are in the power of destiny. We can classify Phaedre as a victim who is trying not to show her real feelings and emotions.
Classical,Views,Passion,Racine